MEET THE CAST

Amanda Vitiello is delighted to make her debut at The Marsh Berkeley. Other recent theatre credits include Lina in Cry It Out and B in Three Tall Women (Cinnabar Theater), Shakespeare's Joan of Arc in The Dogs of War and Plastic Rose (Edinburgh Fringe Festival). Past credits include work with ACT, Opera San Jose, New Village Arts, and Gallery Players. Amanda holds an MFA in Theatre from UC Davis and studied at The Groundlings. Her film and television credits include Mad Men, Stuck, and Meetings. She is a member of SAG-AFTRA. www.amandavitiello.com

Kipp Glass is thrilled to make his debut at The Marsh Theater as Oscar Wilde in The Trials of Maud Allan. He was most recently seen in Waitress at the San Francisco Playhouse as the understudy for Earl and as a member of the ensemble. Kipp’s past roles include three seasons as Rocky in The Rocky Horror Show, Harry in Kinky Boots, Patrick Bateman in American Psycho: The Musical—a performance that earned him the Bay Area Theatre Critics Circle Award for Best Actor in a Musical—and Sam Wheat in Ghost: The Musical. On screen, he has been featured in Netflix’s Always Be My Maybe, as well as in Milk and HBO’s Looking. A multi-talented musician, Kipp plays guitar, bass, and piano. When he’s not on stage, he works full-time as a real estate agent with Vanguard Properties in San Francisco.

Vivian Le (she/her) begins her return to the Bay with an exciting debut at The Marsh Berkeley. She discovered theater at Cal with her most recent engagements as Narrator in The Late Wedding (TDPS), Hilda in Wintertime (TDPS), and Micah in The Wednesday Club (TDPS). Off stage, she works full-time at UCSF in Network IT and can be found strolling along Ocean Beach in her free time. She has endless gratitude for the TMA team, her friends, and her gia dinh for their continued love and support! Feel free to connect with her at vivian.p.le18@gmail.com

Hallie Sullivan is returning to the stage after a long hiatus. She is currently pursuing a MPH in Maternal, Child, and Adolescent Health at UC Berkeley after finishing her undergraduate studies in Public Health and Theater. Her last performance was singing “Everybody Needs Somebody to Love” from the Blues Brothers for KQED’s “Artists and Elders Project” in 2021. Theater and singing have been a lifelong passion, and she is glad to share the spotlight with such a talented cast and crew. She hopes you enjoy the range of emotion that The Trials of Maud Allan has to offer, and also have some hearty laughs.

Maddox Scardina is thrilled to make his debut at The Marsh. Maddox is currently a University of California, Berkeley student majoring in Media Studies and minoring in Theater and Performance Studies. His most recent theater credit is playing Cousin/Kinship/Mind in Branden Jacob Jenkins’ Everybody directed by Susannah Martin (TDPS), and he is excited to perform as Andy in an upcoming staged reading of How To Defend Yourself by Liliana Padilla, directed by Gracie Brakemen, at Shotgun Players. With his roots in Musical Theatre, Maddox is excited to perform as Curly in Korsa’s production of Oklahoma this summer! He is incredibly grateful for the cast and crew of The Trials of Maud Allan and hopes you love it! If you’d like to get in touch with him, his email is: maddoxscardina@gmail.com

Isabelle Glavin lives in Berkeley, California, where she works as a freelance dancer and studies Anthropology and Public Policy at the University of California, Berkeley. Originally from Evanston, Illinois, she received her initial dance training from Dance Center Evanston and the Joffrey Ballet Academy before joining the graduating class at Canada’s National Ballet School. Subsequently completing high school with diplomas from Ontario School Systems and Evanston Township High School, Isabelle joined the Post-Secondary Program at Canada’s National Ballet School where she performed soloist and principal roles for the next two years. Isabelle attended summer courses at Pittsburgh Ballet Theatre, the HARID Conservatory, Houston Ballet, Canada’s National Ballet School, and the Royal Danish Ballet on full scholarship. Isabelle has danced professionally with Columbia Classical Ballet, Charleston Ballet, San Diego Opera, San Diego Ballet, Peninsula Ballet Theatre, and Oakland Ballet Company. Currently, Isabelle works as a full-time faculty member at Berkeley Ballet Theatre where she teaches creative movement and ballet. After graduating from UC Berkeley in the Spring of 2025, Isabelle plans to pursue her MS and JD at the University of Pennsylvania. Isabelle is thrilled to be a member of The Trials of Maud Allan and thanks CC for the opportunity to participate in this special production!

Cristina (CC) Elizabeth Miller (she/her) is a Director, Writer, and Multidisciplinary Theatre and Film Performance Artist from Los Angeles. She is an alumna of the University of California Berkeley, where she received her B.A. in Theatre, Dance, and Performance Studies with a Minor in Creative Writing (2023). CC is an Associate member of SDC, an Associate Founding Member of VirThe Productions, and a Theatre Bay Area-affiliated artist. She has directed, performed, and devised various projects in the Bay Area. Her work focuses on magical realism, feminism, kinesthetic movement, ensemble, and celebrated self-expression. She has additionally trained as an Actor and in 2019 won Best Actress in a Theatre Performance for her role as Lula in Dutchman. Her most recent performance role was as a supernumerary in The National Theatre’s production of The Lehman Trilogy at A.C.T. (2024) At UC Berkeley, she acted in Christopher Chens' Late Wedding and Assistant Directed Sarah Ruhl’s Eurydice, receiving The Mark Goodson Prize for Distinguished Theatrical Talent. She has produced and directed experimental short films, including her film Koraki, which has been nominated and received semi-finalist awards at various international film festivals, including Blow Up Arthouse Chicago, Cannes, Berlin, and Los Angeles. CC Produced and Directed a Workshop production of A Dream Play that supported the Student Environmental Resource Center and choreographed and performed an original spoken word dance piece titled Sixth Mass Extinction. Some of her other directing credits include: The House of Bernarda Alba (AD) (CTE Tam High Drama), Be Seen Be Heard -Noh Inspired (LAVC), Ondine (LAVC), and films Portrait Portal and Helena. Her style is fantastical, expressionistic, compassionate, nature-focused, and surreal. She is thrilled to be working on this world-premiere production with a talented group of friends and hopes you enjoy the show!

This is Haley’s first time Stage Managing in Berkeley for The Marsh as she has always worked as a technician at the SF location. Haley is a Theater & Performance Studies Major, class of 2025, with a double-minor in History and Russian Literature at University of California, Berkeley. A transfer from San Joaquin Delta College, Haley graduated with High Honors in Technical Theater and Humanities & Social Sciences. Haley’s most recent project was the Stage Manager / Fight Captain for TDPS’s production of Everybody. Concurrent projects this Spring include the Assistant Production Manager for TDPS’s Lysistrata, Production Manager for Untitled Theater’s Arsenic & Old Lace and Co-Wardrobe Head at Berkeley Playhouse for Jesus Christ Superstar. This fall Haley will be attending Carnegie Mellon University for her MFA in Stage & Production Management.

Lee Garber-Patel is a multidisciplinary theatre artist, working in costume design, illustration, scenic art, and graphic design. Most recently, they have worked as a costume designer on The Trials of Maud Allan at the Marsh, and Fat Ham at the SF Playhouse. In their free time, Lee loves to read a book and sunbathe with their cat Momo!

Skyler Lee Baysa is a musician and composer living in the California Bay Area. He graduated from UC Berkeley with a bachelor's degree and honors in Music and Linguistics. Skyler has been playing the piano since 5 years old (studying with Sharon Lee Kim and Michael Seth Orland), and has been composing since he was 11. Skyler’s compositions have been performed by various professional musicians in the San Francisco Bay Area, including the Friction Quartet and players from the SF Symphony. He has received a Morton Gould Young Composer Award Competition Honorable Mention, the 2024 David and Diana Menn Memorial Prize in Music, and won the Oriens Composition Competition 2024. Skyler has also worked on the production of several Musical Theater Prize productions at UC Berkeley, and in 2022 performed in the devised work The After Party directed by Erika Chong Shuch.

Jordan Goldstein He/Him ( Lighting Designer ) is a fourth-year student and second-year transfer majoring in Theater & Performance Studies at UC Berkeley. He is honored to be given the chance to create the lighting design for this production. Jordan has recently been accepted into the Technical Direction MFA program at Carnegie Mellon where he plans to continue his studies.